From the bodily movement of the medieval thinking, the next step includes the imitation of more abstract concepts, in the context of a “renaissance” thinking.
Now the stage is not controlled only by lists of elements like text, sound, image, video etc, but also by numbers, fields, streams, strings, arrays etc, with the arithmetics being of major importance. The elements get faces and become independent persons with a certain character that expresses them.
The challenge was to try to engage into this new way of thinking, by finding renaissance artifacts from the fields of architecture, art, poetry, philosopgy etc and trying to costruct a stage play for a parametrically controlled actor which integrates the renaissance principles.
Miro Roman_renaissance portrait
Katia Ageeva_sound collage
Grete Soosalu_gursky photo polyphony
Grete Soosalu_printed antartica mp3
Milomir Radovanovic_Girl Moods
Stanislava Predojevic_Sfumato frequency
Daniel Rohlek_Static Kolam